THE MIDNIGHT CIRCUS

A girl uses magic to call her love but not to keep him. A child born in winter hears voices calling to him in the cold wind. A lonely man falls for a selkie who sings an enticing song. Yolen often uses the language and imagery of fairy tales to weave her original, spellbinding stories, which make a cohesive collection. They’re all dark, though in most cases, that darkness encompasses loss but doesn’t revel in it. As Yolen puts it in her introduction, there's “a frisson of terror rather than massive amounts of spilt blood.” A couple of stories veer closer to true horror: The main character of “Great Gray” is drawn to the rare owls of the title because of his own predatory instincts, and the narrator of “Little Red” endures hinted-at torments because the alternative of returning home to her grandmother is somehow worse. But, as promised, there’s very little blood in these pages—just glimpses of the darkness of human nature. Some stories, like “Inscription,” read like Celtic folktales while “Requiem Antarctica” is a Jamesian tale of creeping madness at the ends of the Earth, and “An Infestation of Angels” is a retelling of the book of Exodus. And if the stories themselves somehow aren’t enough, each is accompanied by a poem that extends its themes into evocative verse.

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