THE CARE AND FEEDING OF WASPISH WIDOWS

When artist Agatha Griffin discovers that a swarm of bees has made itself at home in her workshop, she follows her mother-in-law’s advice and seeks the help of Penelope Flood. The beekeeper convinces the printmaker to let her move the colony to a skep behind the shop, and a correspondence that begins with a brief discussion of the colony’s honey production soon turns more intimate. Penelope is warm and outgoing. Agatha is more inclined to be reserved, but Penelope’s kindness helps her realize that she is—three years after her husband’s death—terribly lonely. Given the genre, it is inevitable that these two will fall in love, but Waite doesn’t rush her protagonists. At first, Agatha knows only that Penelope is married to a sailor who is seldom ashore. Penelope only knows that Agatha loved her husband. It takes time and trust for them to reveal their true feelings and desires to each other. It’s a real pleasure watching this friendship between two women in middle age blossom and evolve into a passionate attachment. Waite wove politics into the first installment of her Feminine Pursuits series, and she is even more explicit here. Agatha and Penelope meet just as the House of Lords is about to put Queen Caroline on trial for adultery, an event that exposed several fault lines in British society and marked a turning point for the press. Agatha faces some difficult choices as she decides how radical she wants to be in choosing what to print, and Penelope is compelled to examine loyalties and relationships that cut across classes. This is a richly layered novel, with much to recommend it to readers who don’t typically read historical romance.

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