CROSSINGS

Landragin layers historical fiction, metafiction, mystery, fantasy, myth, and romance in a way that might remind readers of such books as Cloud Atlas, Life After Life, The Time Traveler’s Wife—or even Dan Brown’s conspiracy-based adventures, albeit with more elegant prose. Its preface begins with a metafictional tease: “I didn’t write this book. I stole it.” The narrator sets forth the history of three manuscripts delivered to him for bookbinding by a wealthy client in contemporary Paris. Each novella has a different author/narrator, including two based on real people: There's a creepy story supposedly written by poet Charles Baudelaire, a World War II noir romance by critic/novelist Walter Benjamin, and a surrealistic memoir by someone described as “a kind of deathless enchantress.” The tales’ relation to one another, the preface narrator promises, will be revealed, whether we read the three in order or in the “Baroness sequence,” named for the manuscript’s ill-fated owner, which interlaces chapters from all three into one novel. “The Education of a Monster” is Baudelaire’s self-portrait of a colossally self-centered snob. His poetic reputation endures, however, in Benjamin's “City of Ghosts,” as the posh Baudelaire Society becomes the epicenter of a breathless mystery, playing out as the Nazis advance upon the city. “Tales of the Albatross” is the fantastic story that lies behind the other two, beginning with the arrival of the first Europeans on a remote island in Polynesia. Narrated by a young woman called Alula, its tragic love story is set in motion when a crossing, or rather two of them, occurs. Long practiced by the island’s people, the crossing is a spiritual exchange in which two carefully prepared individuals pass into each other’s bodies. But these crossings go terribly sideways, and Alula’s search for her beloved, Koahu, will take her through seven bodies and across two centuries, through the lives of a globe-circling sailor, a woman born enslaved on a Louisiana plantation, a terribly disfigured Belgian heiress, and a hypnotist-turned-psychologist, among others. In whatever order you read, Landragin carries off the whole handsomely written enterprise with panache.

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