THE CROW RIDER

The titular magical crows, large enough to ride, were once the cornerstone of Rhodaire’s power until they were all killed in the violent attack that launched the war and nearly destroyed Princess Thia. But now Thia has successfully hatched one of the few remaining crow eggs, fled evil queen Razel’s grip, and fought free of her own depression, leaving behind Razel’s son Prince Ericen, the enemy and fiance Thia can’t forget. Uneven pacing with a glacial opening eventually giving way to a rushed climax and some striking tonal shifts (especially scenes with the smirking, bantering Ericen) detract from notable original details, particularly the way mental health is deeply interwoven in the characters of Thia and her crow, Res. Thia must constantly grapple with the cost of violence, trying to choose mercy but finding it backfires on her, which conveniently propels significant plot movement. Overreliance on trite similes and centrally cast side characters, like the vaguely Asian Auma, who dispenses sage advice over steaming tea, are somewhat balanced by the generally diverse world, with named characters of varied skin tones and sexual orientations and gender identities (Thia is brown-skinned and straight).

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