SUGAR, SMOKE, SONG

In Bollywood movies, melodrama can be delicious and fun, but in fiction it's tricky to keep it from sliding into histrionics. That's what happens in many of these stories, in which sisters betray each other, families draw blood, and men behave rakishly. In "The Stars of the Bollywood House," for example, we see Jumi, a Harvard grad, wasting away from a broken heart. This is the third story about her. In the first ("Ode on an Asian Dog"), Jumi dumps Walt, her cloddish college boyfriend, 30 times. In the second ("Swan Lake Tango"), she's graduated and dating Sammy, her tango partner, and talking nonstop about Walt. She cries in front of displays of wedding necklaces, recalls all the terrible things Walt said ("How he's moved on, how he prefers white girls to her, how everyone said he was too good for trash like her"), and refuses her father's love. This goes on for more than 30 pages, and though Jumi's father, who narrates most of the sections, has an endearing voice and his own emotional scars, it's hard not to catch yourself thinking, "Pull yourself together, Jumi!" The star of the book is the Bronx, which Rajbanshi captures in all its rich complexity: its "buoyant crayon streets" with "Pakistani women in salwars pushing strollers...baby-faced Puerto Rican girls laughing in tight jeans and swinging hoop rings...." Rajbanshi writes some beautiful, arresting sentences. "The precious thing about the old," one character observes, "is that their skin feels the way butterflies look." But because of the overly dramatic plots and underdeveloped characters, it's hard for her poetic sensibility to shine.

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