PURE INVENTION

Alt, a longtime “localizer” of Japanese culture for English-language audiences, considers Japan’s pop-culture influence through two lenses. The first is product-based: He delivers deep, engaging histories of totems such as toy jeeps, which sparked an industry that helped the nation pull out of its postwar economic doldrums; manga and anime, which reflected the growing cultural ferment, especially among youth protesters; karaoke machines and Hello Kitty gear, which made sweetness profitable; and the Sony Walkman, a symbol of the nation’s knack for innovation and 1980s economic might. Alt has a collector-geek’s enthusiasm for all of these, but he also thoughtfully considers the social trends that produced them. (Hello Kitty, for instance, embodies “kawaii,” an unreconstructed adorableness that echoed the boom years and also inspired the likes of “Super Mario Brothers” and Haruki Murakami novels. Alt’s second lens has more of a social element: Exploring the country’s “lost decades” after the ’80s, he looks at how schoolgirl culture, certain anime films, video games, Pokemon, and the internet responded to the pall that had fallen upon an aging and economically strained society. Alt is particularly sharp in his writing about “otaku,” a subculture of hardcore anime fans who feel deeply disassociated from mainstream society, establishing a disenchanted mood that persisted even as the country’s fortunes improved. That attitude coalesced around the website 2channel, which in turn inspired 4chan, Grand Central Station for alt-right memes and Trumpy trends. It seems a bit of a stretch to reduce American habitués of dank online forums to a politically influential expression of otaku, but Alt does persuasively show how Japan’s economic fortunes influenced America’s, and his book neatly summarizes how the future “will be made everywhere else, with values borrowed from Japan.”

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