THE LOST PRINCESS OF AEVILEN

When 17-year-old Julia loses her house to wildfires, her family moves in with her grandmother Ina, who reveals to Julia that she is actually royalty and a refugee from somewhere called Aevilen. While snooping for evidence to confirm this unlikely tale, Julia discovers an enchanted necklace that transports her to an alternate dimension; before she can return home, she has to help Aevilen find the champion it so desperately needs. Clunky, clichéd prose describes a painfully generic, vaguely medieval European setting. Julia immediately bonds with Thezdan, a brooding, auburn-haired, green-eyed Guardian (read “Ranger”); other nonhuman races, like the Sylvan and Rokkin, fill the niches of stereotypical elves and dwarves. The narrative follows the beats of a video game, including plot tokens, puzzles, and side quests. Julia has the bland personality of a reader-insert, and her plot-convenient magic is all performed by her necklace with a hand-waving “somehow.” Other characters show more depth, but all view Julia solely through her ancestry. The chief antagonist—the All Aevilen People’s Party, which overthrew the (uncritically “good”) monarchy with random rhetoric of “Revolution”—is an obviously corrupt, sadistic front for a cartoonishly evil deity, a depiction that will baffle contemporary readers. Nonetheless, the action moves smartly, the violence is satisfyingly gory, and the volume ends with a textbook cliffhanger. All characters seem to be white.

Thanks for reading.
Please Share, Comment, Like the post And Follow, Subscribe CTS Store.

fromSource