THE AUTOMATIC AGE

Chomichuk really stacks the deck against Londoners Barry and his dad, Kerion. On the one hand, robots have built a paradise where every store is always fully stocked, every home kept clean and maintained, and all traffic runs automatically. But something has gone wrong in the software, and even the slightest unusual use of electricity or facilities quickly draws squads of armed robotic exterminators called autovolts. The two fugitives have only survived this long because Kerion was massively wounded in combat and so much of his repaired body is prosthetic that he can get close enough to a confused would-be executioner to jack in and fry its circuits. It’s plainly just a matter of time, though, before they’re cornered—and time at last runs out. Dark images of shadowy electronica and human figures too distant or distorted to discern faces or skin color add grim atmospheric notes to a dystopic tale which, being framed in one- to seven-page episodes, has a shocked, staccato feel. Narrowly escaping a particularly persistent pursuer, Kerion at last leads his son away from the city in hopes of finding a place where, as he puts it, “the future never happened.” Good luck with that.

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