THE INVISIBLE WEB

The “hundreds of Strings” that connect each individual “to everyone we know” also “create a nest that covers the planet, / interlacing us together, cradling us forever.” This is the titular Web, depicted in Lew-Vriethoff’s bright cartoons as sweeping colored lines that circle the globe every which way like an ambitious international airline’s route map. It includes humans, animals, plants, and even weather systems: “Everything is linked!” But the Web is only as strong as the people who remember and care for it, and a double-page spread that shows a frightened, pale-skinned family fleeing a burning city on verso for a refugee tent city in a flowered meadow on recto, where a multiracial peace demonstration is also taking place, depicts both the consequences of forgetting and the healing powers of remembering the Web. In going global with her String, Karst has a very difficult time maintaining her metaphor. The notion of a concrete, tangible bond of love is a child-friendly way to imagine relationships, but making those crisscrossing bonds into a Web of mutual responsibility strains the concept. Will writing one’s cousin truly prevent world war? By the end, Karst has gone overboard: “The Invisible Web is alive! / Its time is right now. / It breathes as we breathe, / pulsating all over our Earth, / the single heartbeat / of life and love.”

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