REBEL IN THE LIBRARY OF EVER

Almost immediately, 12-year-old Lenora learns to her dismay that the vain, choleric (and oddly familiar, at least to politically aware readers) new Director is firing Librarians wholesale, crowing over fictive “patron fees,” and cutting down the book collections. Stoutly, she ventures back into the endless stacks of the Library of Ever (2019) to confront him—only to discover that he’s just a tantrum-prone pawn of the Forces of Darkness, a trio of slithery agents out to extinguish the light of learning everywhere. Joined by the Director’s naïve but computer-savvy young daughter, Lenora resolutely sets out to stymie the bowler-hatted foes. Along the way, she demonstrates the well-known thrills of reference work by, for instance, responding to a young patron’s query by seeking out the largest meaningful number (pro tip: “infinity” is not a number) and helping a tentacled extraterrestrial archaeologist recover stolen research notes on the mysterious Mississippian culture. (All in a day’s work, as any public-service librarian will attest.) Between the cast of intellectual-freedom fighters and the hissing forces of ignorance, Alexander leaves no doubt about which side to cheer for. Lenora, the Director, and his daughter present white; several other members of the human cast are people of color, indicated by name or description.

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